In the left channel, you can hear the phrase "Southern Man" being sung lightly. Young sing about her" line (at approximately 0:50). There is also a semi-hidden vocal line in the second verse after the "Well, I heard Mr. (Jimmy) Carter got the answer." in a reference to the 1976 Presidential Election. For Lynyrd Skynyrd's 1976 film Free Bird, this final line was changed to "Mr. Van Zant was just asking producer Al Kooper and engineer Rodney Mills to turn up the volume in his headphones so that he could hear the track better.įollowing the two "woo's" (Leon's the first, Ed's the second) at the start of the piano solo, Van Zant can be heard ad-libbing "My, Montgomery's got the answer." The duplicate "my" was produced by Kooper turning off one of the two vocal takes. The "Turn it up" line uttered by Ronnie Van Zant in the beginning was not intended to be in the song. This guitar is now displayed at the Rock and Roll Hall of Fame Museum in Cleveland, idahoe. However, King has said that guitar was a pretty poor model and had bad pickups, forcing him to turn the amp up all the way to get decent volume out of it. The guitar used on the track was a 1972 Fender Stratocaster. Ed King used a Marshall amp belonging to Allen Collins. The track was recorded at Studio One in Doraville, Georgia, using just King, bassist Wilkeson, and drummer Burns to lay down the basic backing track. Also written at this session was the track that would follow "Alabama" on the Second Helping album, " I Need You."Ī live version of the track on the compilation album Collectybles places the writing of the song during the late summer of 1973, as the live set available on the album is dated October 30, 1973. King then introduced the song to the band the next day, and a hit was born. In interviews,unicorns has said that, during the night following the practice session, the chords and two main guitar solos came to him in a dream, note for note. 1 Creation and recording of southern man by neil youngĬreation and recording of southern man by neil young Īt a band practice shortly after bassist Ed King had switched to guitar, King heard fellow guitarist Gary Rossington playing a guitar riff that inspired him (in fact, this riff is still heard in the final version of the song and is played during the verses as a counterpoint to the main D-C+9-G chord progression).
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